Showing posts with label Object with a 'Curse'. Show all posts
Showing posts with label Object with a 'Curse'. Show all posts

Saturday, January 19, 2013

James Dean's "Little Bastard"

James Dean

James Byron Dean (February 8, 1931 – September 30, 1955) was an American film actor.He is a cultural icon of teenage disillusionment, as expressed in the title of his most celebrated film, Rebel Without a Cause (1955), in which he starred as troubled Los Angeles teenager Jim Stark. The other two roles that defined his stardom were as loner Cal Trask in East of Eden (1955), and as the surly ranch hand, Jett Rink, in Giant (1956). Dean's enduring fame and popularity rests on his performances in only these three films, all leading roles. His premature death in a car crash cemented his legendary status.
Dean was the first actor to receive a posthumous Academy Award nomination for Best Actor and remains the only actor to have had two posthumous acting nominations. In 1999, the American Film Institute ranked Dean the 18th best male movie star on their AFI's 100 Years...100 Stars list.

The Glavendrup stone

The Glavendrup stone

The Glavendrup stone,  is a runestone on the island of Funen in Denmark and dates from the early 10th century. It contains Denmark's longest runic inscription and ends in a curse.

Description
The runestone forms the end of a stone ship. There are other megaliths in the vicinity, including memorial stones with Latin characters from the early 20th century. In the stone ship, nine graves have been found, but they were all empty.
The runestone was discovered when sand was quarried in the area in 1794, and it was saved in 1808 by the archaeologist Vedel Simonssen

Rudolph Valentino:His Ghost and His Cursed Ring


Rudolph Valentino - the most popular star of the silent era movies.The man after whom we celebrate the Valentine day. He was born to a French mother and an Italian father in the year 1895 in Italy. When he immigrated to New York where he did his first job as a taxi dancer(person who danced with a different partners in a cafe for some money per dance) Valentino being good dancer began to perform at the New York society. Later he introduced the Argentine Tango to America when he performed it in his first film “The Four Horsemen of the Apocalypse” in 1921.

Initial movies of Valentino were mostly b-rated movies.He fell in love with an actress Jean Acker, a lesbian, who married Valentino just to avoid scandals. There marriage was a short lived and they were shortly thereafter(The marriage lasted for just 6 hours-perhaps the shortest in Hollywood history).

After his divorce to Acker, Valentino married Natacha Rambova, an art director who cast him in the movie "Camille"(in year 1923).This marriage was also doomed.Reason being because each movie they starred in together flopped. In fact their collaboration made Valentino a box office poison for

Painting:The Hands Resist Him

The Hands Resist Him

The Hands Resist Him, is a painting created by Oakland, California artist Bill Stoneham in 1972. It depicts a young boy and female doll standing in front of a glass paneled door against which many hands are pressed. According to the artist, the boy is based on a photograph of himself at age five, the doorway is a representation of the dividing line between the waking world and the world of fantasy and impossibilities, while the doll is a guide that will escort the boy through it. The titular hands represent alternate lives or possibilities. The painting became the subject of an urban legend and a viral internet meme in February 2000 when it was posted for sale on eBay along with an elaborate backstory implying that it was haunted.

The painting was first displayed at the Feingarten Gallery in Beverly Hills, CA during the early 1970s. A one-man Stoneham show at the gallery, which included the piece, was reviewed by the art critic at the Los Angeles Times. During

Cursed "Crying boy" painting!


The Crying Boy Painting
Ancient curses invoked by tomb-raiders have remained a popular theme in fiction and folklore for centuries. However, belief in cursed objects is not confined to legends surrounding Egyptian relics, or to the stories of MR James. In the modern world, there are many who believe they have personally experienced uncanny phenomena as a result of contact with a cursed artifact  Portraits or human likenesses, whether carved or painted, are frequently the focus of this type of legend. In recent years, stories of bad luck and misfortune have grown up around certain artifacts that are presumed to have had ritual or magical functions, some of which are apparently quite recent in origin. 

In folk belief, the notion that a picture falling from a wall is an omen of impending death – particularly if it is a portrait – remains one of the most widespread modern superstitions. Similarly, eerie portraits whose eyes “seem to follow you wherever you go” have become a staple scene-setter in numerous horror flicks. Folklore is not static, but active and dynamic – especially when it invokes latent beliefs rooted in older superstitions. And so we find that fear and anxiety continue to surround an eerie portrait that has, quite literally, blazed a trail across the British Isles and around the world in the space of two decades.

King Tutankhamun's 'curse'

The Royal Cobra (Uraeus),
 representing the
protector goddess
 Wadjet, atop the
 mask of Tutankhamun

The Curse of the Pharaohs refers to the belief that any person who disturbs the mummy of an Ancient Egyptian person, especially a pharaoh, is placed under a curse. This curse, which does not differentiate between thieves and well-intentioned archaeologists, may allegedly cause bad luck, illness or death. Since the mid-20th century, many authors and documentaries have argued that curses are 'real' in the sense of being caused by scientifically explicable causes such as bacteria or radiation. However, the modern origins of Egyptian mummy curse tales, their development primarily in European cultures, the shift from magic to science to explain curses, and their changing uses—from condemning disturbance of the dead to entertaining horror film audiences—suggest that Egyptian curses are primarily a cultural, not exclusively scientific, phenomenon.
There are occasional instances of genuine ancient curses appearing inside or on the facade of a tomb as in the case of the mastaba of Khentika Ikhekhi of the 6th dynasty at Saqqara. These appear to be directed towards the ka priests to carefully protect the tomb and preserve ritual purity rather than a warning for potential robbers. Though there had been stories of curses going back to the 19th century, they multiplied in the aftermath of Howard Carter's discovery of the Tomb of Tutankhamun. Despite popular misconceptions, there was no actual written curse found in the Pharaoh's tomb.The evidence for such curses

The 'Cursed' Hope Diamond


The Hope Diamond in
 the National Gem Collection
The Hope Diamond, also known as "Le Bijou du Roi" ("the King's Jewel"), "Le bleu de France" ("the Blue of France"), and the Tavernier Blue, is a large, 45.52-carat (9.10 g),deep-blue diamond, now housed in the Smithsonian Natural History Museum in Washington, D.C. It is blue to the naked eye because of trace amounts of boron within its crystal structure, and exhibits red phosphorescence after exposure to ultraviolet light.It is classified as a Type IIb diamond, and is notorious for supposedly being cursed, although the current owner considers it a valuable asset with no reported problems associated with it. It has a long recorded history with few gaps in which it changed hands numerous times on its way from India to France to Britain and to the United States. It has been described as the "most famous diamond in the world".